“If we’re going to stage these retrograde works and “reinvent” them for the 21st century, why are men the only ones being given the opportunity to do the rethinking—to give these old properties a “feminist twist”? Are male artists the only ones who get to define feminism in theatre in 2018?” —my op-ed on My Fair Lady, Carousel, and other problematic musical revivals on Broadway here.
Diep Tran 