I traveled to Moscow for the Golden Mask Festival of theatre, and I write about what I saw.
As theatre critic and Russian Case co-curator Kristina Matvienko said via a translator in a panel discussion, “Theatre has started speaking to social, political issues. Theatre is no longer in the ivory tower.”
That fearlessness on the part of Russian theatre artists has led to an increase in audiences, including that most coveted of demographics: the under-40 set. One had only to look at the audience at Gogol Center, where I saw Kafka on a Saturday night. Walking into the center, I saw an exposed-brick interior with two bars hosting a mix of age groups: gray-haired folks, young men in skinny jeans, and young women in sundresses (I even spied a female couple holding hands).
Read the rest of the dispatch here.